An environmental portrait telling a story

Having now used both Fujifilm X type cameras and more recently a rangefinder camera for quite a while now I had forgotten just how heavy DSLR cameras are.  I recently covered an awards ceremony when I used my old D700 with its 24 – 70mm lens and it weighed a ton. Having a slight thumb injury the camera felt quite unwieldy so much so that my heavier D3 never left the camera bag.


The next day I was in an office with my lighter rangefinder camera when I took this photograph.  It was so much more enjoyable to use.  I was intrigued by the office, there are so many clues here which tell a story.  The photograph was unposed and I took the opportunity to photograph while a phone call was being answered.  Building layout plans were pinned on the noticeboard, which indicates the nature of the work conducted here. Post-it notices on the wall and the untidy desk indicate the level of activity and perhaps the limited view through the window provides yet another clue.

I like the image because it is unposed and entirely unplanned, it was taken on the spare of the moment using just the ambient light in the room, but it does capture a moment in time, it describes an activity and indeed it now provides a social history in what has been a hectic period for this office worker.

This photograph shows Jonathan Mattison who is the curator of the new interpretative centres promoting the Orange Institution which will be formally known as the Museums of Orange Heritage.  The museums, currently undergoing construction at Schomberg House, Belfast, and at Sloan’s House, Co Armagh, are part of the REACH Project (Reaching out through Education and Cultural Heritage), which received £3.6 million from the EU’s PEACE III programme, managed by the Special EU Programmes Body.

All images contained on this website remain the property of Roger Bradley. Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission. 


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