Moving from 35mm to 50mm!

For the past while I have mostly been taking photographs with a 35mm lens, so much so that I feel very comfortable using this focal length, it seems to suit my documentary style and provides a wide frame within which to arrange the various elements.

Recently I was reminded that Henri Cartier-Bresson invariably photographed with a 50mm lens and that he never cropped photographs.  I decided to take a walk around Belfast’s historic entries with a 50mm Summilux lens and to rely on zone focusing at f8.  “F8 and be there” is attributed to the New York photojournalist Arthur Fellig, although I see that some attribute the quotation to the famous war photojournalist Robert Capa.  This aperture is wide enough to let in sufficient light and small enough to provide adequate depth of field. All I had to worry about was composition!  

As I continue to explore street photography and the rangefinder camera I am finding photography even more enjoyable by just working with one camera body and one prime lens with all the freedom this brings.  However I did find using a 50mm lens a little bit more challenging with its narrower angle of field forcing me to frame more carefully.  On the plus side I did like how the viewfinder on the rangefinder camera allowes you to observe what was entering the leaving the frame.  This added information is really useful.  Also zone focusing does not always produce pin sharp focus at full resolution, something which digital photographers are increasing becoming obsessed with.

Looking back at the famous street photographers who used expensive Leica cameras, they did not capture pixel peeking sharpness!  They instead concentrated on capturing emotion, which is really what photography is about, photographs that tell a story.  In HCB style here are the results of my Belfast entry explorations.






All images contained on this website remain the property of Roger Bradley. Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission. 

Christmas markets again!

Over the past few days I have visited two Christmas markets, Belfast and Manchester.  Its been a while since I talked about what attracts me to make certain images and my recent visit to two city centre Christmas markets provide a perfect opportunity to do just this. Here are the two images I selected and my reasons for their selection.

Belfast Christmas Market

Belfast Christmas Market

Manchester Christmas Market

Manchester Christmas Market

I took just a few images at each location rather than shooting in all directions.  Both cities were hiving with people and in these situations I find it difficult to simplify what I see through the viewfinder.   In the case of the Belfast market it was the colour which drew my attention.  Red is a strong colour and the scene was naturally framed by the stall itself.

In the second image the couple in the lefthand side foreground drew my attention.  They were isolated in their own space and I was struck by how I could counter balance their vertical stance with the advertising cylinder on the opposite side of the frame.

The other feature common to both images is that ‘the decisive moment’ was captured, in the first image the exchange of money to complete a transaction and in the second the boy letting the girl take a bite from his beef burger.

Henri Cartier-Bresson was a French photographer considered to be the father of photojournalism and the master of candid photography.  He coined the phrase ‘the decisive moment’ which he described as follows. “There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative”.

All images contained on this website remain the property of Roger Bradley. Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission