Flag Waving – Dutch Style!

We are well used to flag waving in Northern Ireland and so when I visited Amsterdam I was intrigued to see how they staged public parades.  In this case a trade guilds parade which interrupted the flow of traffic in downtown Amsterdam.

Taken in September it was unfortunately a dull grey damp day.  I remember being rather disappointed with my photographic results, the images lacked the clarity I was after, however I kept taking images with my best walk around lens, a 24-70mm f2.8.   The image below was one taken from this series.

24mm, f13, 1/60, 400iso

24mm, f13, 1/60, 400iso

The relatively slow shutter speed provides the sense of movement in the flag waving.  I had considered making a monochrome version of this but instead opted for colour.  In Lightroom the red, orange and blue filters were tweaked to bring the colour out more strongly and this was about the only manipulation required.

What appeals to me about the image are the diagonal forces produced by the zebra crossing, the marchers, the tram and the overhead cables which are all parallel to one another.  This produces a forceful diagonal line through the photograph.  In general diagonal lines make for stronger images.  By contrast the sole pedestrian standing at the zebra crossing provides an important element to the image and the image would not be as interesting without her.

Despite the technical faults I think this image works to make a powerful piece of street photography.

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

 

 

 

 

 

 

 

Following the G8 Summit

With President Obama visiting Belfast today prior to attending the G8 Summit I thought I would wait until he had gone before driving in to the city to see what there was to photograph.  I was surprised to see the city so quiet, usually G8 summits are associated with mayhem!

However at Belfast City Hall I did notice one sole protestor lobbying for a free Tibet.  I was attracted by how colourful his flag was and not recognising it I approached to ask.  The following photograph was the result.  During my visit to the city centre he was the only subject I photographed.

Fujifilm X Pro 1: 640iso, 35mm, f8, 1/60

Fujifilm X Pro 1: 640iso, 35mm, f8, 1/60

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

 

 

 

 

 

 

 

President Bill Clinton: Photographic Exhibition

Today saw us complete the installation of the Bill Clinton Photographic Exhibition well in advance for the opening of the G8 Summit on Monday 17 June.  Every exhibition space is different and a certain degree of skill is required to make the best use of the available space.

It is always pleasing to leave a fresh installation knowing that a job is well done.  A special thank you is due to the staff of The Clinton Centre who made us feel so welcome.  With the job complete to quote my colleague, there are no problems only solutions!

If you are in Enniskillen over the next few months do call into The Clinton Centre to take a wee look!

The Clinton Photographic Exhibition - completed The Clinton Photographic Exhibition - completed

The exhibition was opened by Nancy Soldenberg, who was was a key adviser to President Clinton in negotiating the peace process in Northern Ireland.

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

Hanging the Presidential photographic exhibition

Recently I was asked to curate a photographic exhibition in The Clinton Centre in Enniskillen. The exhibition covers the visits of former President Clinton to Enniskillen and it will open to the public to coincide with the G8 Summit.  I had the honour of being asked to oversee its installation an experience which was most enjoyable and is still ongoing.

Installing the Clinton Exhibition in advance of the G8 Sumitt

Liaising with the editor of the Impartial Reporter and a representative from the Clinton Foundation made the task so much easier, leaving us to do the measuring and hanging. Of course there was room for a little bit of fun as the following images will demonstrate.

Installing the Clinton Exhibition in advance of the G8 Sumitt

Installing the Clinton Exhibition in advance of the G8 Sumitt

Installing the Clinton Exhibition in advance of the G8 Sumitt

There was some series work undertaken!  Images, which were nicely mounted, need to flow in sequence to tell a story, they need to be straight, appropriately spaced and complement their neighbouring image and not jar the viewer as they move around the space.

Attention to detail is vital to make optimum use of the available space in order to determine the number of images to be used and the size they will be printed to.  How the lighting falls on the displayed mounts needs to be adjusted.

Installing the Clinton Exhibition in advance of the G8 Sumitt

Installing the Clinton Exhibition in advance of the G8 Sumitt

As a photographer it is good to be involved in curating and installing a photographic exhibition.  Instead of seeing the images through the viewfinder you are looking at the work of others from the other side of the camera and deciding how best to present them for viewing.   It was an honour to be entrusted to install such a prestigious exhibition that is associated with the G8 Summit.  The photographic exhibit will be finished in the next two days when I will run a followup blog. 

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

Bluebell Wood – a closer look

Following my earlier visit to Bluebell Wood I decided to make a repeat visit, this time in the late morning when the sun would be high in the sky and filtering through the trees. The purpose was to take a closer look at the bluebells using just my Fujifilm X Pro 1 camera with a standard lens.  So no tripod, no light modifiers, no DSLR and no macro lens.  So how would the X Pro 1 perform?

Moving in close did mean that use of the Electronic View Finer (EVF) was indispensable due to alignment with the subject, even though I much prefer the optical view finder for wider shots.  Using both large and small lens apertures I was able to make use of variable depth of field to either isolate a particular bloom or to capture a greater depth of detail.

So here are the images I have selected:

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One of the joys of using this camera is not having to lug around heavy pro gear, you simply lift the camera and go!

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

 

Portavogie Harbour

Today’s visit is to Portavogie Harbour, a fishing port on the Co Down coast which provided an opportunity to get the camera out.  I have been told that the job of the photographer is to simplify the composition in the viewfinder before pressing the shutter. However if you have seen the jumbled collection of fishing trawlers, masts, ropes and cables how do you simplify?

My approach was to look for colour, angles and lines.  I also noticed oil on the surface of the water and wanted to capture this.  The object was to show the clutter and busyness of the place, but in a way that works in the viewfinder.  Here are three images I selected:

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The first image does capture the colour and oil on the water surface, the second illustrates the size of the trawler and I was intrigued by the rust and oil staining on the slipway in the final image.

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.

 

Bluebell Wood

It almost seems obligatory to take photographs of bluebells at this time of the year, such photographs are cliched, but here is mine anyway.  In the UK summer does not seem to have arrived, the photographs in this blog were taken just after 8pm as I grabbed glimpses of weak sunlight breaking through an overcast sky.

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Due to low light reasonably high ISO levels were used, 800 and 1250 respectively at an aperture of f5.6.  Using a wide angle 14mm lens ensured a good depth of field.

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission. 

High Street, Belfast Blitz

In the past two days I have visited High Street to take a closer look around.  I remember my father recounting his experiences as a fire watcher in High Street during the May 1941 blitz when most of High Street was flattened at the hand of German bombers with over 500 killed in one night.

I suspect that the best known building in High Street would be River House, a ghastly 1960s office block with no distinguishing features.  But there are a few gems which have a story to reveal, two buildings in particular stand out, the National Bank Building and the closer Imperial Buildings.

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bradley-The adjacent River House does nothing to add to the built heritage of Belfast!  Even the entrance to Imperial Buildings reflects the national pride of the era when they were built.

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Imperial Buildings is an office building dating from 1906/07. When damaged during a Luftwaffe raid in 1941 it was subsequently rebuilt from the second floor up saving the facade.    The National Bank Building was designed in a “Franco-Slemish Renaissance” style by architect William Batt. It was constructed of steel and fire proof concrete which is said to have saved the building during the blitz.  It had a balcony over the central first floor window which was sadly removed in the 1980′s.

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission. 

Inside the tobacconist shop

As a non smoker I don’t really understand the attraction of smoking, but I was passing Miss Moran’s tobacconist shop again and this time curiosity got the better of me and I went inside.  The owner graciously allowed me to take a photograph:

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In my previous blog I said that this was the only specialist tobacconist shop in Belfast, well apparently its the only one in the island of Ireland!  As a photographer it pays to engage with the subject in conversation as behind every photograph there is a story waiting to be found!

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission. 

The tobacconist shop

With smoking becoming so anti social (and to declare my own hand it is a nasty addiction) a speciality tobacconist shop is a very rare sight.  As far as I know this is the only specialist tobacconist shop in Belfast and therefore its worth a photograph.

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Church Lane, Belfast: Fujifilm X-Pro1, 400 ISO, 35mm lens, f9, 1/50 second.

Located in Church Lane, Belfast its future must be endangered with the growing body of medical evidence urging smokers to give up.  I did notice that there were no customers in the shop!

All images contained on this website remain the property of Roger Bradley.  Images may not be downloaded, reproduced, copied, projected, or used in any way without express written permission.